A nice mix of characters and ideas I am familiar with but not following and things completely new to me in this week’s picks. Any week where I get to read a book with Phil Noto art is a good week.
I am enjoying the big events at Marvel and DC right now, but it is nice to jump into these one-off issues and free myself from the compulsion to read every chapter to enjoy a comic book.
The Variants #3
Gail Simone, Phil Noto, Cory Petit
I appreciate that Marvel provides the summary pages for their comics. Even when I am reading a book month-to-month I often refer to the summary page as a quick refresher. I think it is a great practice that doesn’t really steal away anything from the issue in total. That said, the intro here doesn’t provide a full picture of just what is going on.
And I think that’s a good thing! Jessica Jones has just encountered alternate universe versions of herself and has reason to believe her mind control by the Purple Man is going to come back to haunt her and hurt her family. She is disoriented and confused.
I think Jessica Jones is a great character that hasn’t had a lot of chances to shine within the Marvel Universe proper. Bendis had her as a pretty big supporting player in his Avengers run but after he left she didn’t get as much play as she deserved, despite a Netflix show whose first season was a critical darling. Gail Simone (who we really don’t see enough of anymore) channels what made the character special under Bendis’s pen, making Jess feel both gruff and compassionate. Her reaction to seeing a younger version of herself untouched by the Purple Man’s evil was a particularly powerful moment.
I know we are going all-in on multiverse stuff in pop culture right now for some reason (existential dread of planetary collapse and a desire to imagine a different world maybe?) and it is occasionally groan-worthy when we get, particularly at Marvel, so many “What if this character had another character’s powers?” This book manages to make it work, however, because there is a real desire to explore how different choices color Jessica’s already complicated opinion of herself. How does seeing herself as the hopeful, optimistic hero she envisioned herself to be when she was younger impact her in the present? How does seeing herself as the leader of the Avengers make her feel about her choices to step away from superheroics? All of that is compelling, even if it is not fully dug into in this issue. The threads are there, though, and they work as a character study.
One thing that is often missing in modern superhero stories, particularly with the glut of them in various media, is how they can be used to powerfully grapple with real, personal issues on an exaggerated scale. Creators who do not really get superheroes often reduce them to action smashemups without much under the surface. Really, it’s the source of the “Superman isn’t an interesting character” argument. If you only view superhero stories in terms of power level and who is stronger, then you miss a key element of what made them so enduring and culturally powerful.
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