comics, comics criticism, dc comics, writing

The Lowest, Most Despicable, and Most Harmful Form of Trash: Batman’s Secret Identity in the Silver Age

The secret identity has been an indelible part of the superhero mythos since Superman first landed in 1938. Little more than children themselves, and writing for a primarily young audience, Jerry Siegel and Joe Shuster saw the inclusion of mild-mannered Clark Kent as part of the power fantasy of the Superman character. To the world at large, you might seem meek or mild, or bullied, but inside is an unlimited potential–a Superman waiting to break free. For most of the history of the superhero, the secret identity was an essential component of the concept with any masked hero having a hidden life outside of the capes and spandex. 

But as the comics have kept up with modern times and been adapted to the screen where the beautiful faces of the actors are a selling point, the masks and secret identities became less essential and creators began to see the story potential in either removing the component from their characters or putting less focus on it. Often the secret identity becomes a punch line. Indeed, many heroes have grown past the need for a secret identity and make more sense without it. Why should Steve Rogers hide he is Captain America? Or why would Tony Stark, with his massive ego, pretend not to be Iron Man? Even Superman, in the comics, recently revealed his identity to the public at large, no longer able to reconcile the truth and justice he stands for with living a lie.

Only a few superheroes still maintain a secret identity as an important element, and it is primarily because of their public perception as outsiders and vigilantes. Spider-Man went to the ends of the Earth–both on-page and on-screen–to recover his secret after it went public. Daredevil’s brand of justice puts his practice as a lawyer in jeopardy. And Batman, while no doubt a hero, works outside the law and is at odds with the police of his city. Unlike Superman, who often works alongside the authorities even as he criticizes them, Batman is fundamentally opposed to the authority of the state and his mission would be jeopardized if he could be held legally accountable for his actions.

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comics, comics criticism, dc comics, writing

The Mud Pack, or, How I Learned to Stop Worrying and Love The Batman

Like every child of the 1990s who ended up reading comics, my path was forged by Saturday Morning Cartoons. I discovered X-Men and Spider-Man through FOX Kids and still remember watching the premiere episode of the former, riveted by the high drama and mournful screams of Wolverine as he watched his funny little friend Morph fry by Sentinel fire.

I have less vivid recollections of my first experience with Batman: The Animated Series but Batman was the show that defined my childhood, the ultimate appointment viewing above all other shows, animated or otherwise. X-Men might have arrived with bombast and melodrama but Batman etched itself into my consciousness, becoming a part of my very sense of self in a way very few pieces of media could compare. Batman has been a part of my life from before my memory even begins. I wish I could say there was a lightning rod moment where the character etched itself into my life. But, really, Batman has just always been a part of it.

I can’t say that I remember the first comic book I ever read.

Continue reading “The Mud Pack, or, How I Learned to Stop Worrying and Love The Batman”
comics, comics criticism, dc comics, Perspectives, writing

Batman: Knightfall and The Light Beyond the Darkness

In the 1990s, massive status quo shake-ups were the engine that drove the industry. Superman was killed in battle and four pretenders vied for the throne. Spider-Man was replaced by a long-forgotten clone. Every issue of The X-Men promised to change everything, or mark the first appearance of a new character.

No matter the hero, things would never be the same. That was the promise. 

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comics, comics criticism, dc comics, Perspectives, writing

The Final Night and the Forgotten Legacy of the DC Universe

One thing my recent Nightwing project accomplished was reigniting my love for DC Comics–particularly the stories and universe of the 90s, which, ironically, I have ready very little of. While I initially planned to cancel my DCU Infinite subscription once I finished that Nightwing read, I instead decided to dive into the stories I was always intrigued by but never had the opportunity to read.

As a kid I spent countless hours online following the stories of DC characters I had never heard of before, written by fans who chronicled the various adventures in compelling narratives. The DC Universe was boundless; there were always new characters and new stories to discover. In particular the fall of Hal Jordan seemed especially captivating. Reading about his sacrifice in The Final Night was such a moving memory even in the form of synopsis that when I found the story on DC Infinite those heady days of research came flooding back. Imagine my surprise to find that an event series from the mid 90s, an era that has a reputation for excess and convoluted plots, was in fact one of the most compelling, reserved, and moving superhero stories I’ve ever read.

The Final Night was a 4-issue, weekly event series written by Karl Kesel with art by Stuart Immonen, inks by Jose Marzan Jr. and colors by Patricia Mulvihill. It begins with the death of a world, as a mysterious power extinguishes the planet Tamaran’s sun. The alien Dusk, a messenger from another world, races from the dying Tamaran to warn the next planet of the coming of the Sun Eater, as she has done countless times before. The Sun Eater is coming to Earth, and there is no hope. Her goal is not that the next planet will defeat the Sun Eater but that they somehow save a few from certain death.

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comics criticism, dc comics, Perspectives, Uncategorized, writing

Who is Dick Grayson? A Critical Retrospective of Nightwing

I read every issue of Nightwing, every Dick Grayson solo series (including his time as Batman and a super spy) and 100+ issues of Titans and Justice League over the last two months, in search of the answer to one question.

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